Every year, Portland hosts Wordstock, a giant book convention celebrating writers, local small presses, and bibliophiles. Last year, going was something of an inspiration; I had an inkling that someday I wanted to be part of this group. I browsed the stalls with excitement, asked questions to the independent writer’s guild, and bought my first Chin Music Press book. I attended a panel on the future of book reviews feeling fired-up and ready to write.
This year was a little different. Having just applied to PSU’s really exciting publishing program (yes, exciting is an odd adjective, but, really, what else do you call a publishing school that lets you work at its press for credit,) I approached the stands with a little trepidation. The state of being in application limbo colored my mood; I wanted to be their peers, and though I don’t need a masters to do that, it feels like I do simply because I applied to the program. Somehow taking steps to accomplish my career goal made me feel more like I had something to prove, which was frustrating when I just wanted to enjoy myself. It probably didn’t help that there were less panels I was interested in/could make.
Nevertheless, I had a great time. I finally got to meet Bruce and Josh from Chin Music Press, which was great because, as I’ve said in previous posts, I really admire their ability to create artful books that are as focused on the text as the object. (*waves* hi guys!) I’m always floored by the sheer number of interesting publishing projects going on in the Pacific Northwest: Oni Press, which publishes Queen and Country (my current pleasure reading) is here in NE Portland, Fantagraphics in Seattle, Little Otsu, a clever graphic press out of San Francisco and Portland (and run by super nice people, btw,) a whole slew of literary journals, Portland’s Independent Publishing Resource Center, and Bitch Magazine, just to name a few. I hope someday to truly call these creative people my peers: their creativity, talent, and attitude really prove that paper publishing can still be relevant in the midst of today’s digital age (or some other such cliché name for it.)
I’m afraid I don’t have as many analytical things to say as last year because the panel I got to see was not on a particularly controversial topic. I went to see Karen Cushman’s panel on creating worlds in historical and fantasy fiction. She invited some of her peers of the young adult writing world: Susan Fletcher, Ellen Howards, Jodi Sensel, and Mary Jane Beaufrand. Strangely enough, I think this was the only all-female panel at Wordstock, though it’s difficult to know if this is because Karen Cushman knew more women who were well-suited to the panel or whether women writers find that they get more respect in the realm of YA literature because they don’t get dismissed as chic lit or niche lit. (I also sometimes get a sense that a lot of really good plot-based fiction gets published as YA because it’s not dismissed there either.). I’d like to do an entire post on this, but I don’t feel I know enough to write it. Maybe someday.
Now if I don’t suddenly get the plague again, and don’t die of “waiting to hear back from grad school” anxiety, you’ll hopefully get some more posts coming your way. I’ve got some thoughts about the depiction (graphically and textually) of Tara Chase in Queen and Country, some musings about writing about people who are different from you (Aka- I’ve just started reading David Mack’s Kabuki because I’m on a graphic novel kick, and for something that so far seems to be about a woman and her relationship to her identity and her face, I’m surprised that he does not list a single woman author or artist on his list of works that inspired the series. I can’t really make a judgment on the series yet as I’ve only read a few chapters, and I’m certainly not saying that this automatically dooms the work, but it’ll be interesting to see just how convincing he’ll be.) and, who knows, maybe some other stuff. Maybe I’ll do a giant rant about “The Big Bang Theory.” Who knows? I have the luxury of not having to post here uninspired, but I’ve been taking advantage of that too much lately. I’m still here, thinking, but life and work, for better or worse, have to take precedence.
Hope you’re all enjoying fall–it’s my favorite season. So gorgeous here in Portland today.